Cinemyths

An intriguing dialectic is that the reliance on the ability to leap through time is reflexive upon the denial of impermanence; against which the interaction with temporal irreversibility is nonetheless blithe in the film, elaborated by characters who compromise the authentication of realistic linearity without too much painstaking. Thereinto, the myth of youth expresses its carefree nature on the one hand, while the presence of impermanence as dialogically everlasting, however, spells out its structural beauty on the other. After all nonlinear wandering, the chaptered experience seems to imply that the pursuit of love embodies its entailment only within an existential duration, regardless of the form of sequence and order therein. The recurring retrospection towards love thus pronounces out the permanently impermanent introspection, the revelation of which always serves to calibrate the agency whereby love is experienced as, far from a progress for perceiving and understanding, the being of lack and its presently mattered conclusion.

—— 2025.10.03